

At this stage, viewers have come to expect these Stath-isms, yet their content is still a genuine surprise every time.ĭemetriou has always been the star of Stath Lets Flats, but series three is pushed into new territory by the wealth of material given to the supporting cast.

There are a hundred moments that could be referenced here, but particular highlights include a prospective tenant telling Stath that his name is actually Bernard, not “Gurdled” as he’s been pronouncing it, while the letting agent worries about having to meet with “langlords” (landlords) and getting a “park-time” (part-time) job. There are no wasted moments, every line containing an incorrectly pronounced word or misquoted idiom that left me doing ungainly snorts of laughter. The scenario may be ripe comedy fodder, but it’s Demetriou’s densely packed script that elevates the series.

At a time when schedules were dominated by dramedies, thrillers with jokes and one-person shows using laughter to make serious points about identity and mental health (as it largely still is), Jamie Demetriou’s series was a rare thing: an out-and-out comedy. When Stath Lets Flats first aired on Channel 4 in 2018, it was an anomaly among the comedy landscape.
